AIN’T NO GRAVE GONNA HOLD MY BODY DOWN

BY STACY KRANITZ

AIN'T NO GRAVE GONNA HOLD MY BODY DOWN - STACY KRANITZ
$70.00

Orders will be shipped at the start of October.

To order from the EU please visit Images Vevey.

Ain’t No Grave Gonna Hold My Body Down traces the complex social history of Appalachia while questioning the role photography has played in shaping how the region and its people have been seen across generations. 

The Appalachian region of the United States has historically been subjected to numerous political, religious and media interventions that have perpetuated a negative image. Through historical archives and contemporary images, Kranitz examines the evolving representation of Appalachia, from narratives of poverty and cultural deficiency to the lasting consequences of industrial extraction. 

At the centre of the book is Pat Greene, whom Kranitz met in 2013 and whose life became a recurring thread through the work, connecting an intimate personal story to broader histories from the region, including the voices of Harry Caudill and JD Vance, two influential figures whose accounts of Appalachia have placed responsibility for the region’s deprivation on its own people, drawing on narratives of cultural and, at times, biological deficiency that echo a longer eugenicist history. 

Drawing together seventeen years of photographs, archival research and literary texts, the book considers the camera as witness, propaganda, instrument of power and, at times, a means of redemption.

210 x 275mm, 260 pp. 77 color photographs, 92 black and white archival and press photographs, and 40 black and white and color documents.

Includes a supplementary booklet with texts by Matthew Algeo, Stacy Kranitz, Andrew Malan Milward, Mesha Maren and Whitney Phillips.

Printed offset litho on coated and uncoated FSC-certified paper, ottabind softback.

Published and distributed by Terrible Baby and Editions Images Vevey

BEGGAR'S HONEY - JACK LATHAM
$70.00

‘Beggar’s Honey’ is an exploration into the clandestine world of click farms.

Click farms are shadowy operations that are responsible for artificially inflating the engagement metrics of content on social media, manipulating the algorithms with serious consequences – from influencing consumer behaviour to compromising the integrity of democratic processes.

Jack Latham’s project seeks to expose the inner workings of click farms for the first time. By juxtaposing the captivating with the covert – images gleaned from TikTok alongside photographs of click farms in Vietnam and Hong Kong – he challenges our perception of the digital landscape and urges us to question the authenticity of the content we encounter daily.

170 x 210 mm
134 pages with 20 fold outs
100 colour photographs
Lithoprinted on coated and uncoated paper
Softback printed cover and printed dustjacket
Available in 3 different dustjacket options (assigned at random)

Photography by Jack Latham
Text by Professor Shawn Sobers

SUGAR PAPER THEORIES - JACK LATHAM
$80.00

In 1974, two men went missing in separate incidents in Southwest Iceland. The facts of their disappearances are scarce, and often mundane. An 18 year old set off from a nightclub, drunk, on a ten kilometre walk home in the depths of Icelandic winter. Some months later, a family man failed to return from a meeting with a mysterious stranger. In another time or place, they might have been logged as missing persons and forgotten by all but family and friends. Instead, the Gudmundur and Geirfinnur case became a notorious unresolved double murder investigation that continues to rock Icelandic society to this day.

Latham photographed the places and people that feature in the many varied accounts of what happened to Gudmundur and Geirfinnur after they vanished, resulting in his Sugar Paper Theories project. Spending time with the surviving suspects, as well as whistleblowers, conspiracy theorists, expert witnesses and bystanders to the case, Latham’s photographs and material from the original police investigation files stand in for memories real and constructed.

In the 1970s theories about the disappearances fixated on Iceland’s anxieties over smuggling, drugs and alcohol, and the corrupting influence of the outside world. The country’s highest levels of political power were drawn into the plot. Ultimately, a group of young people on the fringes of society became its key protagonists. All made confessions that led to convictions and prison sentences. Yet none could remember what happened on the nights in question.

A public inquiry and subsequent appeal uncovered another story, of how hundreds of days and nights in the hands of a brutal and inexperienced criminal justice system eroded the link between suspects’ memories and lived experience. In September 2018 all but one of those prosecuted were acquitted by Iceland’s Supreme Court. The fight to clear the remaining suspect of perjury charges in this heinous crime continues while the real perpetrator(s) has never been caught.

Professor Gisli Gudjónsson CBE, a former Reykjavik policeman and forensic psychologist, whose expert testimony and pioneering theory of ‘memory distrust syndrome’ helped free the Birmingham Six and Guildford Four, and who was central to the Gudmundur and Geirfinnur inquiry, provides a detailed written account of the case. Updated since the first edition of Sugar Paper Theories, Gudjónsson’s text examines the investigation in light of the subsequent appeal.

An introduction by Erla Bolladottir, the only one of the six prosecuted whose charges, for perjury, remain in place, reveals first-hand what it was like to have one’s memories and actions unrepentantly put into question and infiltrated by those whose job it is to supposedly preserve the truth.

The recipient of the 2016 Bar Tur Photobook Award and shortlisted for the Paris Photo-Aperture Foundation First PhotoBook, the first edition quickly sold out and appeared on many books of the year lists. Incorporating developments that have taken place within the case following an appeal in 2018 in Iceland’s Supreme Court, this second edition features additional text by expert witness Professor Gisli Gudjónsson CBE, and a foreword by Erla Bolladóttir, one of the six prosecuted.

310 x 230mm, 180pp
46 colour photographs, 37 black & white photographs
8 illustrations, 9 press cuttings
Foreword by Erla Bolladóttir
Text by Professor Gisli Gudjónsson CBE
Printed offset litho on coated FSC, uncoated FSC, bible paper and recycled coloured paper
Perfect bound card cover with cloth spine
Co-published with The Photographers’ Gallery

Events.